INDIE FILM CREDITS:
Stumbling (Drama, 70 mins, 2022)
Eamon (Documentary, 6 mins, 2022)
Leaving the Lake (Documentary, 2 mins, 2021)
Troubles (Drama, 11 mins, 2018)
Guard (Drama, 13 mins, 2017)
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MEMBERSHIPS:
IFTA (directing chapter), RTS, Directors UK, Equity UK
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EDUCATION/TRAINING:
QUB – PG Cert in Audio Visual Post Production – Distinction; MA – Distinction; BA (Hons) – 1st Class
NFTS – Documentary Shooting
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Since beginning this journey seven years ago, I’ve completed two short fiction films, two short docs, and a feature length drama. I’ve also been known to work as an Assistant Director, and have directed a number of commercials, mainly shooting fast, in natural light, with non-actors. I have trained in documentary shooting at the NFTS, and gained a PG Cert in Audio Visual Post Production from QUB. Most recently, I’ve become a script reader for NI Screen, and competed a shadow directing placement, eventually directing splinter and 2nd unit on four episodes of Hope Street series 4.
On the way here, I’ve developed new writing for the stage (including commissioning and directing Lisa McGee’s early work), produced the Irish premiere of The 24hr Plays, taught acting at University of Ulster, lectured in theatre at Queen’s University Belfast, and was Artistic Director of Belfast’s Lyric Theatre Drama Studio. As a jobbing actor in London, I was lucky enough to be directed by some of the best, both on screen and on stage – including Lynsey Miller, Stephen Frears, Lewis Arnold, Nick Murphy, Ralph Fiennes, Rian Johnson, Oliver Hirschbiegel, Howard Davies, David Farr, and Dominic Cooke. Between jobs, I worked as a press and event photographer, having started shooting on film as a teenager.
I made my first film, Guard, in 2017. It debuted at Galway Film Fleadh and screened in competition at over thirty festivals, including Oscar, BAFTA and EFA qualifiers, eventually winning a European Independent Film Award in the Best Short Film category. Since then, I’ve made one funded fiction film, and one funded doc, both with the support on BFI Network via NI Screen.
I made a return to directing for the stage just before the pandemic, with On McQuillan’s Hill – a vicious satire confronting the horrors of abuse and the corrosive legacy of conflict – at London’s Finborough Theatre. You can read more, including some of the critical responses on the ‘‘OMH‘ page.
In 2022, I shot a feature length drama in 3 days, entitled Stumbling, which I also edited. It started its festival run by taking the audience award for Best Independent Feature at the Chichester International Film Festival.
I’m interested in truthful stories that affect us on an emotional level and which allow the audience access to a world to which they might not otherwise gain entry. I love the dark humour that arises in unlikely circumstances – the kind I grew up around in 80s and 90s Belfast. I’m a passionate believer in diversity and in telling stories from underrepresented social and ethnic groups.
So that’s me.
Please email me for a bang up-to-date CV, links to full screeners, and an extended reel.